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‘V’ is for Vanity Fairy

12 Nov

Winter is the time of year when creatures snuggle down into hibernation. It is not the time of year when they emerge, awoken and ready to take on the world. Yet here we are, following a near two year hibernation and Daisy Victoria has stepped back into the light. She has also gone through something of a metamorphosis (if you will allow us this mixing of animal based metaphors). Now Daisy Capri, her musical persona has evolved to its new form, grown shimmering synthy wings, and stepped forth as Vanity Fairy.

Here, the sound is slinkier than before. The 80’s influences that were hinted at in “Pain of Dancers” have been fully embraced and given a subtle disco makeover as her vocals glide and twist in the breeze as one with light, gossamer melodies.

Debut track, “He Can Be Your Lady”, undulates gently, imploring you to sway as Capri’s vocals swoon and flutter. Bathed in disco ball lens flare and blessed with a Prince like synth flourish, it is delightfully catchy and bewitching. Elsewhere on the debut Vanity Fairy EP, Lust For Dust, we are treated to a soft, androgynous sultriness. It’s knowing, yet innocent at the same time.

“Milky Woe” is a late night, candle lit seduction, very soft focus and full of eye contact and fondue. “Loverman” and “Giant” similarly glisten and flicker with sensual synth lines, a heady concoction of romantic psychedelica.

Comparisons to Kate Bush are obvious but entirely fair, there is the same ethereal and otherworldly feel to each composition. Live too, there are similarities with Capri letting the Vanity Fairy persona take control. Her shows are as much about the character and the performance as they are about the music.

It’s an exhilarating and exciting transformation that Capri has undertaken to become Vanity Fairy. Her mew world is enticing and giddy and it’s one we love getting lost in.

”He Can Be Your Lady” is out now and will feature on the forthcoming debut Vanity Fairy EP, ‘Lust for Dust’, which is due for release on 7 December.

Get to know Vanity Fairy: Facebook / Twitter / Instagram

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‘E’ is for Eckoes

13 Sep

Hypnotic, infectious and stunning; the music of Eckoes sounds as if it comes from another world. Her deep, soulful electronica combines with pop hooks, dance beats and glorious vocals to entrance and enthrall.

London based Eckoes is an artist you may have heard of already. If not, she is someone you will definitely be hearing more of in the future. A successful songwriter for other artists, she has recently been scouted by Grammy Award winning producer Naughty Boy. This is in addition to being a FAC Advocate Artist who helps and advise other up and coming artists. Oh, and then of course there is her own music, which is incredible and has received support from 6Music and BBC Introducing as well as a slew of glowing and effusive posts from legitimate tastemakers.

Eckoes’ music has evolved over the years; her pop skin has been stripped back, exposing her bare electro endoskeleton to the world. In so doing, Eckoes has revealed a sound that is altogether darker, more intense and bewitching.

Taken from her forthcoming EP, Eckoes’ latest single “Black & Red” is a stark and seductively dangerous slice of electronica. Dystopian in its sensibility, it could easily be the soundtrack to a dark sci-fi opera (think Blade Runner meets Event Horizon). It is absolutely perfect for that moment where we focus entirely on the protagonist and blur the surroundings. It feels like being being isolated and alone whilst surrounded by the incessant noise and hubbub of a densely populated megalopolis. The layered, almost choral, vocal is utterly captivating. A thing of pristine beauty in this otherwise dark and twisted world.

The melody glows and hums like vast neon signs while the sparse, crisp electronic beats pulse like beacons in deep space. At times claustrophobic and intense, at others cinematic and boundless, “Black & Red” is one of those incredible pieces that offers the listener something new on each listen.

Earlier single “S.B.F” has a driving intensity to it. It throbs and pounds with a bristling menace, whilst rippling and undulating with a sensual intoxicity. Startlingly open and honest, it is a track that stirs the emotions, that simultaneously gives in and fights back, standing tall in defiant submission.

Travel further through the back catalogue and you will find the deep rooted pop aesthetic becomes more overt. “Nobody Else” has a delightfully subtle 90s dance feel to it, while “Pieces” is a gorgeously deep soulful cut, complete with an infectious, eyes closed and sing along chorus. Keep travelling back, past the multi-layered “Human”, past the sorrowful beauty of “Blue Deep”, keep going and eventually you will find a remarkable, and swoonsome, cover of Mr. Mister’s 1985 classic, “Broken Wings”. Trust us, it’s fantastic.

Her music is something we can get lost in. As she takes us to other worlds, to darker places and to the intimate recesses of her soul, the sounds hypnotise and captivate. Hairs stand up on the back of our neck, goose bumps tingle on our arm and our feet tap along incessantly. It is only fitting that an artist as incredible as Eckoes be part of our Alphabet.

Eckoes is playing Birthdays on Friday 14 September with fellow Alphabet Bands favourites, HEZEN and Hydra Lerna.
“Black & Red” is out now and available to buy or stream here.

Get to know Eckoes: Website / Facebook / Twitter / Instagram

‘C’ is for Creepy Neighbour

9 Feb

We’ve all had one. Be they curtain twitchers, late night speedo wearers, overly familiar single men, leery weirdos who can’t stop staring or any other variation, every street has its own unwanted Creepy Neighbour. Thanks to sometime Groove Armada and Roots Manuva bassist, Max Taylor and his collective of like minded musical souls, there is now a Creepy Neighbour we’re happy to have in our life.

With just three tracks scattered across the internet so far, pickings are a little slim but all the signs are there that the Creepy Neighbour journey is going to be a lot of fun. How many other fledgling bands can you think of with celebrity friends like Phillip Schofield and Lily Allen just three songs in?

Specialising in a hybrid indie-pop-electro-prog sound and songs about fitting in and standing out, Creepy Neighbour has the potential to be your new favourite band.

The sublimely dreamy “Millionaire Spaceman” is an anthem for Xennials. A heady mixture of unattainable dreams and grounded work ethic set to a gorgeously marbled soundscapes, piercing synthy noodles and a headswirlingly mesmeric melody. Taylor’s near falsetto floats and drifts like bubbles in a lava lamp, settling perfectly against the soft tide of guitars, synths and rhythm. “Break A Leg” meanwhile is a joyful tumble across a drum kit layered with an infectious playground-game-like rhyme, all bouncy, innocent and skippy in its tone.

Latest single “A Really Bad Person’ sees the band, made up of Harry Bennett (drums) Curtis Stansfield (synths) Sam Ryan (Guitar) alongside Taylor, veer off into a softer, more downtempo direction. From its Breeders evoking guitar intro to its ethereal and gossamer melody, the whole thing is a gentle swoon of a song with a subtle, life affirming message.

”“A Really Bad Person” they explain ”is about living a life not comfortable with one’s own sexual desires and needs, it’s about owning your own freak and understanding that it’s actually completely and totally fine. Embrace your freak, enjoy it”.

A soft, ebbing freak embracing anthem with Van Gogh like synth swirls? That’s a sound and aesthetic we can get behind and one we are delighted to be including in the Alphabet Bands Class of 2018.

Creepy Neighbour are playing at the Norwich Arts Centre on 10 Feb, supporting Birds of Hell and tickets are available to buy here. You can get wonderful Creepy Neighbour music from Bandcamp.


Get to know Creepy Neighbour: Website / Facebook / Twitter

‘P’ is for Pikoe

26 Jan

Here at Alphabet Bands, the start of every New Year means the start of a new Alphabet, and we have something rather special to open up our Class of 2018. Showcasing bright indie-pop and dark, sinewy electronica, Pikoe is a act to get excited about and take note of in 2018.

Originally beginning as a solo project for Hunting Stories Rafael Sanchez, Pikoe was never intended to be anything more than a personal project to explore a different sound. Such was the reaction to early demos posted online last year however that Rafeal soon realised it could be much more. A quick recruitment of his younger brother Jose (who has been playing in bands with his older brother since they were little) as well as music college friends Ben Marino and Michael Summer and Pikoe quickly became a four-strong band. With production coming from Patrick Taylor (of Trash Panda fame), Rafeal was ready to go to work.

Their latest release is “Suydam”, a dark echoey presence that twists and shudders hypnotically as it twists and contracts around a deliciously infectious pop hook. As the track builds it vibrates; warped electronics reach out into your mind and soul, probing and electrifying before the whole thing breaks down into a stark, thudding electro-hip-hop finale. It’s Oh Wonder meets Hezen meets Harry Edwards and it is just incredible.

“Suydam” is the second track to be taken from Pikoe’s forthcoming Songs to Dance Alone To EP, following on from the dazzlingly bright and Arcade Fire-y “Fall-N-Out”. A veritable hookapalooza, it’s big and vibrant, hugely danceable and an effortlessly fun tune that belie the heartfelt emotions contained within. It’s pretty much everything good pop music should be.

The video for “Fall-N-Out’ was made as part of the Dance Alone Film Project, an idea that will see each of the four songs on the EP have videos made by different local directors from the Bushwick, Brooklyn area. Director Mark Sylvester and producer Maggie Miller put together the video you can see below (using just an iPhone X) and “Suydam” will soon have a one-shot video from Dan Stebbins and choreographer Margaret Jones to accompany it.

This is just the beginning of what promises to be a pretty good year for Pikoe, with not only Songs To Dance Alone To due out soon, but also a second EP, Mourners/Murmurs pencilled in for late 2018. Keep an ear and an eye out for them, big things are surely ahead of them and we are absolutely delighted to kick that all off by inducting them as the first entrant to the Alphabet Bands Class of 2018.

“Suydam” is out now and available to buy from iTunes. “Suydam” is taken from the ‘Songs To Dance Alone To’ EP which is due for release on 2 March.


Get to know Pikoe: Website / Facebook / Instagram

‘J’ is for… Jitterz

28 Jul

If you ask people what Leicester is famous for, chances are they’ll talk about the 5000/1 shot football team winning the Premier League recently. Some might mention Gary Lineker, others may go for cheeses, pork pies or watches. It’s possible that Showaddywaddy could feature but truth be told, the sound of punk and blues probably wouldn’t come up. Yet that is exactly what the Jitterz duo are bringing us, and in such a fantastically fuzzy and effervescent way that we just had to add them to our Alphabet Bands Class of 2017.

The Oreo loving pair of Beth (whose cat may be her toughest critic) and Jaime (who is quite possibly a wizard) have been Jitterz for just over a year and do a cracking line in song-titles. Their first track, “One Good Song”, came out last year, and was soon being drooled over by a couple of very reputable blogs. Today sees the pair release their debut EP, Get A Real Job, which features tracks like “Unicorns and Glitter”, “Lobotomy Eyes” and “Girl I Hate You”. The great thing is, the songs are even better than their names.

“One Good Song” is a 2 and a half minutes of frenzied guitars and drums crashing together in a gloriously scuzzy and garage rock cacophony of ambition vs the mundanity of reality. It’s hopeful, desperately honest and damn catchy.

In fact, ‘damn catchy’, pretty much encapsulates Jitterz perfectly. Each of the four tracks on the EP is highly infectious. Riffs and rhythms combine brilliantly to batter your brain into submission, able to withstand no longer it lays down and allows Get A Real Job to plant its flag and set up camp.

Their sound is refreshingly raw and authentic. Bluesy guitars stomp all over “Girl I Hate You” and “Lobotomy Eyes” making you want to stomp along with them. Comparisons with The White Stripes are inevitable but not misplaced. The same energy and excitement emanates, like sound-lines from a Scott Pilgrim riff, as guitars are shredded and drums pounded.

They claim to be ”the uncoolest band you’ll ever meet” but the definition of cool is fluid and subject to change. Their sound, however, is positively radiating with influences from rock, punk, blues and soul that gives it a timeless quality that will never not sound great.

Jitterz ‘Get A Real Job’ EP is out now and available to buy from Bandcamp.



Get to know Jitterz: Facebook / Twitter