Tag Archives: Mega Emotion

Mega Emotion – OK Maybe OK

17 Jan

Mega Emotion

After what feels like an absolute age (two years) Norwich electro-noisemakers extraordinaire Mega Emotion are back, and this time they’ve brought a cowbell. And a baby.

That’s right.

A cowbell.

Not only is it a cowbell, but it is a cowbell on which is played a maddeningly catchy rhythm. One is surprisingly tricky to recreate using just your mouth when in an open plan office surrounded by colleagues who have no clue about what the hell you are trying to do. So we’re told.

The baby, aka the cutest Run DMC tribute act we’ve ever seen, features in the video below and is getting her rock on to the fuzzy caterwaul and grind of guitars, stomping driving beats and PiL era Lydon vocals. It’s a frenzied howl at the moon of a track, cacophonous and fervent while at the same time, pulsating and danceable. The electronics whir into life like the beginning of the robot uprising and the whole things just crashes headlong into you as your ears and soul are shaken and shuddered into submission.

With a whole new guttural layer to their chaos-pop sound, Mega Emotion are back and resistence is futile.

”OK Maybe OK” is taken from the forthcoming debut Mega Emotion album, ‘Move, Motherfucker’ and is a available now as a single from iTunes.



Get to know Mega Emotion: Website / Facebook / Twitter

Mega Emotion – “Uncomfortable” (video)

28 Jan

ME

In the past, on one of the many occasions we’ve talked about the psychedelic electro freneticists Mega Emotion, we termed their music ‘chaos pop’. It was a term that felt right at the time as they blitzed us with their high octane blur of noise and colour. Times change though, people grow and develop and over time we find ourselves mellowing out a… Ah who are we kidding? Mega Emotion is back with a new single and video and it they are just as wonderfully anarchic and vibrant as ever.

The only hint of mellow really is the rather lovely harmonies from Lisa and Jan as Ian alternates between slightly intense and very intense in his vocals. The synths repeat and pulse like a strobe light set to ‘full on fit’ and the beat crashes as if played by a military drummer on acid.

There is a video too (which you can watch below) that features trippy patterns and fractals projected over them and onto the wall behind. It was made, brilliantly, by each band member taking it turns to ‘tit about’ in front of the camera. The result is, like Mega Emotion themselves, kinda crazy but very enjoyable.



Stalk Mega Emotion: Website / Facebook / Twitter

Review: Mega Emotion – Fake Feelings EP

21 Apr

Mega Emotion Fake Feelings

Given our predilection for soft and floating synths, for delicate atmospheric sounds and haunting, emotive melodies, our simultaneous love for the cacophonous pop-energy of Mega Emotion may come as a surprise. That’s what life is all about though right? Variety and excitement; and Mega Emotion are very, very exciting.

Having blitzed us with the insanely infectious and vibrant “Brains” and then the blaring urgency of “City In Shapes”, the girl-boy-girl trio today release their debt EP, Fake Feelings and if your ears were reeling from those two songs, prepare to have them battered into glorious submission. Their frenetic combination of guitars, synths, electronics, frenzied vocals and crashing rhythms is perfectly showcased on the brash and in your face “Luck Dragon” (the surreal and marvellous video for which you can watch below).

Drag racer riffs roar and shudder, psychedelic flashes of digital colour pulsate and hypnotise as they chant away, like some distant cult of the mystical hedonists. ”The ring protects / The ring protects” they cry out. We’re not sure what it protects but it certainly isn’t your mind as that will be lost very quickly.

“Suck Gold” is a little less explosive but still full of colour and shapes. A grand bouncing ball of a beat makes its way through the city, unstoppable and destructive it frees aural prisoners as it goes. More angular riffs, more popping keys and electronic noodles and flourishes, all are liberated by the rhythm as it passes by and free to infiltrate your ears.

Each of the four tracks has pop at its very heart; the hooks are grand and undeniable and the melodies are smooth and infectious. They are just buried within this amazingly bold and powerful noise that is both jarring and scintillating. Mega Emotion is not like other bands out there, but then why would we want them to be. It’s all about the variety right?

The ‘Fake Feelings’ EP is out today and available to buy from the Mega Emotion Bandcamp page.



Stalk Mega Emotion: Website / Facebook / Twitter

Mega Emotion – “City In Shapes”

10 Feb

Mega Emotion City In Shapes

When we first featured Mega Emotion last year, we talked about how they would blow your pre-conceptions about sleepy Norwich completely out of the water. Now, having been tipped for big things not only by us but by the likes of John Kennedy (and he knows things he does) they are back to melt your mind once more with another stormingly frenetic piece of electronic chaos-pop.

Taken from their forthcoming debut EP Fake Feelings, “City In Shapes” is like eating popping candy that’s been made with dynamite rather than pressurised and gassified carbon dioxide (free science lesson for you there). It’s a blue light emergency of a track, whooping and blaring all over your face as it speeds along the streets, forcing other more sedate songs to the side of the road as it screams past. A heart mimicking kick drum arrests into tachycardic synths and guitars race with urgent vocals convulsing with energy and power. Doom laden riffs set in as the track whips to its destination, then harmonious vocals of peace give brief respite until its final violent silence.

It’s a death defying ride to salvation, or otherwise. Regardless, it’s another fantastic offering from a fast rising Norwich band coming to take over the world.

”City In Shapes” is available to buy now and a limited edition cassette of the ‘Fake Feelings’ EP will be released on 15 April.


Stalk Mega Emotion: Website / Facebook / Twitter

2013 Tracks Of The Year – #20 – 16

9 Dec

Tracks of 2013 - 20-16

Here we go then with the second part of our Tracks of the Year countdown. After revealing the tracks that hit the spots marked 25 – 21 earlier today, it’s time to unveil the five songs that made it to the 20 – 16 places. But before we do, here’s a quick reminder of the random rules we have imposed upon ourselves.

The song doesn’t have to be an actual single and while that may seem a bit of a cheat, there’s a good reason behind it. We are looking at tracks that were released in one capacity or another over the last 12 months so that amazing album tracks will also be considered. We must note though, if a track was released online this year but will become a single next, then it won’t be included (“Anomaly” by Paper Crows fell foul of this rule for example). The only other arbitrary rule we have implemented is, one song per artist.

With that bit of admin out of the way, here are the songs we ranked from 20 – 16. Enjoy.


#20 Gems – “Medusa UN₡U₮”

We were originally going to put Gems’ “Medusa” here, but then, just a few days ago, they went and posted an uncut version of the track with an additional couple of minutes opening the track. Additional and different. The breathlessness is still there, the light as a feather monochrome beauty is still there but now the whole thing begins with something a bit more down to earth, a bit more base in tone. It’s still sparse but it doesn’t float, it is tethered to the ground, desperate to break free. These opening two minutes are like a walk through a long corridor in a stately home. Polished black and white tiles lead us to a great atrium where “Medusa” takes flight to the open sky above. It’s just wonderful.



#19 John Grant – “GMF”

He is the greatest motherfucker that we’re ever gonna meet (well, we hope to meet at least, it’s not happened yet) and on “GMF”, John Grant has no problem telling us. On an album that’s about as open and honest as it can get, “GMF” is one of many gorgeous and glorious highpoints. Introspective, self-depreciating, witty, angry, defiant, bombastic, broken, it runs a gamut of emotions while simultaneously sounding like one of the most sublime pieces of music around. The melody whispers and swirls like a solo waltz in the midst of shrapnel from a shattered and exploded relationship. Detritus lies all around, a memory here, a keepsake there, a heart still and cold discarded forlornly to one side as John stoically rises and falls through it all, bloodied but unbowed.



#18 Mononoke – “Alice”

Who Mononoke actually is, may remain a mystery for the time being but there’s nothing secretive about how sublime her debut track, “Alice” is. It’s a single tear of exquisite emotion with simple and stark chords alternating with finger clicks as the vocals caress the memories of a life that never was. It’s a beautifully haunting ballad that uses the imagery of Alice In Wonderland as a metaphor for something altogether more heart wrenching and bewitchingly beautiful.



#17 Mega Emotion – “Brains”

With their debut track, Mega Emotion announced themselves to the world with big seventies pop guitars and neo-disco basslines, brash, angular riffage and dark electro flashes. “Brains” is hyper addictive and bold, raw and powerful. The soft, cool (as the other side of the pillow) female vocals are superbly juxtaposed with the frenetic, non-stop energy of the track, and while you can’t get it out of your head, you still feel like it’s going to destroy you with its massive hooks and chaotically brilliant sound.



#16 Lorde – “Royals”

We came very late to the Lorde party this year, having somehow managed to not hear a damn thing by her until deep into autumn. We’d wondered what all the fuss was about and then, on hearing “Royals”, we got it. There have, evidently, been many arguments and discussions about her stance within the song (aspiration, envy, apathy etc) but all that is secondary to the quality of the music itself. For regardless of what else it may or may not be, or what people want it to be, it is a fantastic piece of pop. Lorde’s rich, soulful vocal resonates against the sparse beat and barely there tune. It’s bold and confident, yet restrained and understated. In fact, perfectly, it is the complete opposite of the brash in your face bombardment of the bling fuelled homogenised pop she is discussing in the song, and better than anything else that has come from those hit factories all year.



So that concludes the second part of our countdown, come back tomorrow for part three and the tracks we ranked 15 – 11.